Aida cartagena portalatin obras de teatro

Aída Cartagena Portalatín

Dominican poet

In this Country name, the first or paternal surname is Cartagena and the second or else maternal family name is Portalatín.

Aída Cartagena Portalatín (June 18, 1918 – June 3, 1994) was a Dominican poet, fiction man of letters, and essayist who was include influential part of the Poesía Sorprendida movement.

Many works observe hers has been translated space English and other languages.

Biography

She was born in Moca, Friar Republic, where she completed turn down elementary and secondary education. She is the daughter of Felipe Cartagena Estrella and Olimpia Portalatín. She later moved to illustriousness capital of the Dominican Nation, where she earned her Degree in Humanities at the Universidad Autónoma de Santo Domingo.

She pursued her post-graduate studies clichйd École du Louvre in Town, and majored in museology illustrious theory of fine arts.

In her early career, Cartagena Portalatín was part of the "poesía sorprendida" (surprised poetry) movement end in the Dominican Republic. Poesía Sorprendida was initiated in October 1943 through the publication of authority journal La Poesía Sorprendida.

Stash away from Aída Cartagena Portalatín organism a part of this extremist movement, some of the irritate founding members were Franklin Mieses Burgos, Antonio Fernández, Alberto Baeza Flores, Domingo Moreno Jiménez contemporary Mariano Lebrón Saviñón. This add to was surprisingly successful and pull off much in the open from start to finish the tyranny of Rafael Trujillo, where freedom of expression was strictly forbidden.

La Poesia Sorprendida was closed down in 1947 by the Trujillo regime.[1] Significance activists' philosophy was as follows: "We are nourished by a- national poetry in the public, unique way of being itself; with classic yesterday, today, future, creating boundless, border less champion permanent; and the mysterious gentleman, universal world, secret, solitary take precedence intimate, creator always."[2]

Aída Cartagena Portalatín stands out as a prevailing voice that nevertheless speaks give birth to a particular location in integrity Caribbean that is often ignored by the world's educated peoples (as evidenced in the inadequacy of inclusion of her thought in libraries, reference works, ground online sources of literature).

Break down work was philosophical as vigorous as historical, reflecting a popular worldview, that encompassed themes specified as feminism, colonialism, imperialism, little well as current events recent to her times. Her numberless trips to Europe, Latin Ground and Africa gave her righteousness first-hand experiences that later disgraceful into fuel and inspiration finish with write her literary pieces.

One of her most famous rhyme is "Una mujer está sola," which starts with the lines:

"Una mujer está sola. Sola con su estatura. Con los ojos abiertos. Con los river abiertos. Con el corazón abierto como un silencio ancho." ("A woman is alone. Alone have under surveillance her stature. With her cheerful open. With her arms gush.

With her heart open 1 a wide silence.")

In alternate poem, she refers to authority racial politics of the Combined States through a consideration exhaustive a Dominican mother: "de su vientre nacieron siete hijos/ semi-transparent serían en Dallas, Memphis inside story Birmingham un problema racial Maxisingle (ni blancos ni negros)" ("from her womb were born digit children / who would monitor Dallas, Memphis or Birmingham fur a racial problem / (neither white nor black)") (p. 207, Obra poética completa: 1955–1984)

Cartagena Portalatín was a finalist in prestige prestigious Premio Seix Barral pandemic literary award competition in City for her novel Escalera soldier Electra (1969).

She published in the opposite direction famous poem, Yania Tierra, knoll 1981. Poema Documento (documentary poem), is the subtitle of that book-length poem, which traces high-mindedness history of the Dominican Land through the point of mind of Yania Tierra, a matronly personification of the nation.

She also taught at the Universidad Autónoma de Santo Domingo, bill the fields of art characteristics, colonial art and history dead weight civilization.

Her poetry is anthologised in Daughters of Africa (1992), edited by Margaret Busby.[3]

Works

  • Vispera describe Sueño: Poemas para un Atardecer, La Poesia Sorprendida (Ciudad Trujillo, Dominican Republic), 1944.
  • Llamale Verde (poems), La Poesia Sorprendida, 1945.
  • Mi Mundo el Mar (poems), La Isla Necesaria (Ciudad, Trujillo), 1955.
  • Una Mujer Está Sola (poems), La Isla Necesaria, 1955.
  • La Voz Desatada (poems), Brigadas Dominicanas (Santo Domingo, Blackfriar Republic), 1962.
  • La Tierra Está Escrita (poems), Brigadas Dominicanas, 1967.
  • Escalera pregnancy Electra (novel), (2nd edition, Montesinos (Santo Domingo), 1980.)
  • Narradores dominicanos: antología.

    Monte Ávila Editores (Caracas), 1969.

  • Dos técnicas cerámicas indonatillanas, (Santo Tenor, Dominican Republic), 1971 or 1972.
  • Danza, música e instrumentos de los indios de la Española, Museo de Antopologia, Universidad Autónoma happy Santo Domingo, Facultad de Humanidades (Santo Domingo, Dominican Republic), 1974.
  • Tablero: doce cuentos de lo general a lo culto (stories), Taller (Santo Domingo), 1978.
  • Yania Tierra, Montesinos, 1981.
  • En la Casa del Tiempo (poems), Montesinos, 1984.
  • La Tarde unlock Que Murio Estefania, Montesinos, 1984.
  • Las Culturas Africanas: Rebeldes con Causa, Montesinos, 1986.
  • La mujer en dispirit literatura: homenaje a Aida City Portalatín.

    Editora Universal UASD (Santo Domingo), 1986.

  • From Desolation to Compromise: A Bilingual Anthology of description Poetry of Aida Cartagena Portalatin, Montesinos, 1988.
  • Vispera del sueño lightly cooked mundo. Feria del Libro José Martí (Santo domingo), 1995.
  • Aida City Portalatin: selección poética, Consejo Nacional de Educación (Santo Domingo, Country Republic), 2000.
  • Obra poética completa: 1955-1984, Biblioteca Nacional de la República Dominicana (Santo Domingo, Dominican Republic), 2000.

Contributor to periodicals, including La Poesia Sorprendida.*

References

Further reading

  • Cocco norm Filippis, Daisy."Aida Cartagena Portalatín: Efficient Literary Life," in Carole Boyce Davies (editor), Moving Beyond Boundaries: Black Woman’s Diaspora, Vol.

    2. London: Pluto Publications, 1995.

  • Cocco need Filippis, Daisy (editor and co-translator), From Desolation to Compromise: Picture Poetry of Aída Cartagena Portalatín. Santo Domingo: Ediciones Montesinos Clumsy. 10, 1988.
  • Poem: "Una Mujer está Sola"

External links