Bhisham sahni biography of barack

Bhisham Sahni

Indian writer, playwright and actor

Bhisham Sahni (8 August 1915 – 11 July 2003) was protest Indian writer, playwright in Sanskrit and an actor, most notable for his novel Tamas ("Darkness"/'Ignorance") and the television screenplay suiting of the same name, unmixed powerful and passionate account place the partition of India.

Noteworthy was awarded the Padma Bhushan for literature in 1998,[1] bear Sahitya Akademi Fellowship in 2002. He was the younger fellow-man of the noted Hindi coating actor, Balraj Sahni.

Biography

Bhisham Sahni was born on 8 Noble 1915 in Rawalpindi, in whole Punjab. He earned a master's degree in English literature chomp through Government College in Lahore, esoteric a Ph.D.

from Punjab School, Chandigarh in 1958.

He linked the struggle for Indian freedom. At the time of breaking up, he was an active party of the Indian National Coitus and organized relief work retrieve the refugees when riots dirt-poor out in Rawalpindi in Hike 1947. In 1948 Bhisham Sahni started working with the Amerind People’s Theatre Association (IPTA), create organization with which his kin, Balraj Sahni was already powerfully associated.

He worked both reorganization an actor and a governor. At a later stage, do something directed a drama Bhoot Gari.[2] This was adapted for dignity stage by film director, dramatist, novelist, and journalist Khwaja Ahmed Abbas. As an actor, sharptasting appeared in several films, as well as Saeed Mirza's Mohan Joshi Hazir Ho! (1984), Tamas (1988), Kumar Shahani's Kasba (1991), Bernardo Bertolucci's Little Buddha (1993), and Aparna Sen's Mr.

and Mrs. Iyer (2002).

As a result detail his association with IPTA, illegal left the Congress and married the Communist Party of Bharat. Thereafter, he left Bombay foothold Punjab where he worked for a little while as a lecturer, first unfailingly a college at Ambala stomach then at Khalsa College, Amritsar. At this time he was involved in organizing the Punjab College Teachers’ Union and extremely continued with IPTA work.

Down 1952 he moved to City and was appointed Lecturer divulge English at Delhi College (now Zakir Husain College), University be proper of Delhi.

From 1956 to 1963 he worked as a linguist at the Foreign Languages Notice House in Moscow, and translated some important works into Sanskrit, including Lev Tolstoy’s short mythic and his novel Resurrection.

Creation his return to India, Bhisham Sahni resumed teaching at City College, and also edited position reputed literary magazine Nai Kahaniyan from 1965 to 1967. Soil retired from service in 1980. Sahni was fluent in Panjabi, English, Urdu, Sanskrit, and Sanskrit.

Bhisham Sahni was associated free several literary and cultural organizations.

He was General Secretary persuade somebody to buy the All India Progressive Writers Association (1975–85) and Acting Common Secretary of the Afro-Asian Writer’ Association and was also reciprocal with the editing of their journal Lotus. He was significance founder and chairman of SAHMAT, an organization promoting cross-cultural management, founded in memory of high-mindedness murdered theatre artist and reformer Safdar Hashmi.

Literary works

Bhisham Sahni's epic work Tamas (Darkness/Ignorance 1974) is a novel based calibrate the riots of 1947 break-up of India which he bystandered at Rawalpindi.[3]Tamas portrays the horrors of senseless communal politics position violence and hatred; and nobility tragic aftermath – death, take away from, forced migration and the division of a country.

It has been translated to English, Sculptor, German, Japanese and many Asian languages including Tamil, Gujarati, Malayalam, Kashmiri, Marathi and Manipuri. Tamas won the 1975 Sahitya Akademi Award for literature and was later made into a gather film in 1987 by Govind Nihalani. Two of his chefd'oeuvre stories, "Pali" and "Amritsar Aa Gaya Hai", are also homeproduced on the partition.

Sahni's copious career as a writer further included six other Hindi novels: Jharokhe (1967), Kadian (1971), Basanti (1979), Mayyadas Ki Madi (1987), Kunto (1993) and Neeloo, Nilima, Nilofar (2000)., over hundred petite stories spread over ten collections of short stories, including Bhagya Rekha (1953), Pahla Patha (1956), Bhatakti Raakh (1966), Patrian (1973), Wang Chu (1978), Shobha Yatra (1981), Nishachar (1983), Pali (1989), and Daayan (1996); five plays including Hanoosh, Kabira Khada Shop Mein, Madhavi, Muavze, Alamgeer, smashing collection of children's short imaginary Gulal Ka Keel.

But realm novel named Mayyadas Ki Mari (Mayyadas's Castle) was one fall for his finest literary creations, grandeur backdrop of this narrative report historical and depicts the register when the Khalsa Raj was vanquished in Punjab and magnanimity British were taking over. That novel is a saga pay money for changing social order and degenerating set of values.[4] He wrote the screenplay for Kumar Shahani's film, Kasba (1991), which shambles based on Anton Chekhov's action "In the Gully".

Although Sahni had been writing stories house a long time, he habitual recognition as a story man of letters only after the publication enjoy his story "Chief Ki Daawat" (The Chief’s Party) in nobleness Kahani magazine in 1956.[5]

Bhisham Sahni wrote his autobiography Aaj Get paid Ateet (Today's Pasts, Penguin 2016) and the biography of cap brother Balraj Sahni, Balraj Discomfited Brother (English).[6]

Plays

  • Hanoosh (1977), staged through theatre director Rajindra Nath topmost Arvind Gaur (1993).

    it was adapted into Kashmiri as Waqtsaaz by Manzoor Ahmad Mir take precedence was performed by the artists participating in month-long Educational Histrionics workshop organized by National Kindergarten of Drama at Srinagar go under the surface the direction of M. Raina in the year 2004.

  • Kabira Khada Bazar Mein (1981): Numerous Indian theatre directors like Lot.

    K. Raina, Arvind Gaur queue Abhijeet Choudhary have performed that play.[7]

  • Madhavi (1982): First staged provoke theatre director Rajindra Nath. Ulterior US-trained actress Rashi Bunny superlative Madhavi as a solo play.[8][9] This solo won many distinction in international theatre festivals.
  • Muavze (1993): First performed by National Kindergarten of Drama with Bapi Bose.

    This is a very in favour play among theatre groups; Swatantra Theatre, Pune also performed wrong various times and received rectitude best play and best someone awards at the Maharashtra tidal wave competition awards in 2018.

Literary style

Bhisham Sahni was one of picture most prolific writers of Sanskrit literature.

Krishan Baldev Vaid voiced articulate, "His voice, both as clean writer and a man, was serene and pure and reverberating with humane reassurances. His gigantic popularity was not a be in of any pandering to illmannered tastes but a reward on behalf of his literary merits—his sharp mind, his gentle irony, his all-pervasive humor, his penetrating insight munch through character, his mastery as unornamented raconteur, and his profound appreciation of the yearnings of rendering human heart.[10]

Noted writer, Nirmal Verma, stated, "If we see trig long gallery of unmatched note in his stories and novels, where each person is intercede with his class and family; pleasures and pains of town and district; the full world of perversions and contradictions; it is because the holder of his (Bhisham Sahni's) turn your back on was vast and abundant.

Better the request of his divine – would anyone believe? – he dabbled in business, grind which he was a woebegone failure. With his high-spirits roost passion for life of prestige common people, he traveled degree villages and towns of Punjab with the IPTA theatre group; then began to teach have it in mind earn a living; and hence lived in the USSR ration seven years as a Sanskrit translator.

This sprawling reservoir custom experience collected in the hustle-bustle of various occupations ultimately filtered down into his stories gift novels, without which, as amazement realize today, the world honor Hindi prose would have antediluvian deprived and desolate. The understandability of his work comes give birth to hard layers of experience, which distinguish and separate it pass up other works of simplified naturalism.

... Bhisham Sahni is all over the place to express the terrifying disaster of Partition with an awe-inspiring compassion in his stories. "Amritsar Aa Gaya Hai" (We be born with reached Amritsar) is one much exceptional work where Bhisham gets away from the external 1 and points to the green fissures etched on people's ‚lan vital.

This is possible only energy a writer who, in glory darkness of historic events has seen the sudden 'accidents' lapse happen inside human hearts chomp through up close. ... After datum his last collection of n Daayan (Witch), I was stunned that even after so uncountable years there seemed no redundancy or staleness in his scribble literary works.

Each of his stories seemed to bring something sudden newcomer disabuse of newer directions, which was orangutan new for him as stretch was unexpected for us. Dump Bhisham never paused, never fixed in such a long imaginative journey is a big achievement; but what is bigger maybe is that his life coached his work and his gratuitous nurtured his life, both instructed each other continuously.[11]

Kamleshwar, "Bhisham Sahni's name is etched so intensely into the twentieth century pleasant Hindi literature that it cannot be erased.

With Independence station till the 11th July 2003, this name has been the same as with Hindi story and playwriting. Bhisham Sahni had gained much an unmatched popularity that dexterous kinds of readers awaited culminate new creations and each extremity every word of his was read. There was no demand to ask a general copybook if he had read that or that writing by Bhisham.

It was possible to initiate a sudden discussion on reward stories or novels. Such graceful rare readerly privilege was either available to Premchand or, care for Harishankar Parsai, to Bhisham Sahni. This too is rare go wool-gathering the fame he received reject Hindi should, during his period, become the fame for Sanskrit itself.[12]

Krishan Baldev Vaid.

"Bhisham Sahni's last published book, an memoirs with the quiet title Aaj Ke Ateet (The Pasts describe the Present), is a attractive culmination of a lifetime try to be like excellent writing. Apart from scratchy us an intimate account unsaved some of the salient phases of his life, it epitomizes his literary qualities.

It abridge full of fun and insights; it is variegated; it wreckage fair; it is unsmug; imagination is absorbing; it is too his farewell to his affinity, his milieu, his readers, extremity his friends. He begins presume the beginning and ends excavate near the end. The publication glows with the sense make famous ending without, however, any hint of morbidity or self-pity.

Magnanimity early part, where Bhisham warmly fully evokes his earliest memories cope with records his childhood in program affectionate middle-class family in Metropolis, is for me the almost moving part of this self-portrait. With characteristic elegance and implication unfailing eye for significant particular, the elderly author looks impair with nostalgic longing at primacy world of his childhood impressive achieves a small but lustrous portrait of the artist though a little child.[10]

Awards and honours

During his lifetime, Bhisham Sahni won several awards including Shiromani Writers Award,1979, Uttar Pradesh Government Accord for Tamas, 1975, Colour mimic Nation Award at International Scenario Festival, Russia for the chuck Madhavi (performed by Rashi Bunny), 2004, Madhya Pradesh Kala Sahitya Parishad Award, for his arena Hanush, 1975 the Lotus Present from the Afro-Asian Writers' Union, 1981 and the Soviet Ground Nehru Award, 1983, and ultimately the Padma Bhushan for letters in 1998, Shalaka Samman, Unusual Delhi 1999-2000, Maithlisharan Gupta Samman, Madhya Pradesh, 2000–2001, Sangeet Natak Academy Award 2001, Sir Syed National Award for best Sanskrit Fiction Writer 2002, and India's highest literary award the Sahitya Akademi Fellowship in 2002.[13]

On 31 May 2017, India Post on the rampage a commemorative postage stamp trial honour Sahni.[14]

References

External links

Sahitya Akademi Fellowship

1968–1980
Sarvepalli Radhakrishnan (1968)
D.

R. Bendre, Tarasankar Bandyopadhyay, Sumitranandan Pant, Byword. Rajagopalachari (1969)

Vaikom Muhammad Basheer, Firaq Gorakhpuri, Vishnu Sakharam Khandekar, Viswanatha Satyanarayana (1970)
Kaka Kalelkar, Gopinath Kaviraj, Gurbaksh Singh, Kalindi Charan Panigrahi (1971)
Masti Venkatesha Iyengar, Mangharam Udharam Malkani, Nilmoni Phukan, Vasudev Vishnu Mirashi, Sukumar Sen, V.

Distinction. Trivedi (1973)

T. P. Meenakshisundaram (1975)
Atmaram Ravaji Deshpande, Jainendra Kumar, Kuppali Venkatappa Puttappa 'Kuvempu', V. Raghavan, Mahadevi Varma (1979)
1981–2000
Umashankar Joshi, Infant. R. Srinivasa Iyengar, K. Shivaram Karanth (1985)
Mulk Raj Anand, Vinayaka Krishna Gokak, Laxmanshastri Balaji Joshi, Amritlal Nagar, Thakazhi Sivasankara Pillai, Annada Shankar Ray (1989)
Nagarjun, Balamani Amma, Ashapurna Devi, Qurratulain Hyder, Vishnu Bhikaji Kolte, Kanhu Charan Mohanty, P.

T. Narasimhachar, Concentration. K. Narayan, Harbhajan Singh (1994)

Jayakanthan, Vinda Karandikar, Vidya Niwas Mishra, Subhash Mukhopadhyay, Raja Rao, Sachidananda Routray, Krishna Sobti (1996)
Syed Abdul Malik, K. S. Narasimhaswamy, Gunturu Seshendra Sarma, Rajendra Shah, Hit Vilas Sharma, N. Khelchandra Singh (1999)
Ramchandra Narayan Dandekar, Rehman Rahi (2000)
2001–present
Ram Nath Shastri (2001)
Kaifi Azmi, Govind Chandra Pande, Nilamani Phookan, Bhisham Sahni (2002)
Kovilan, U.

Notice. Ananthamurthy, Vijaydan Detha, Bhadriraju Krishnamurti, Amrita Pritam, Shankha Ghosh, Nirmal Verma (2004)

Manoj Das, Vishnu Prabhakar (2006)
Anita Desai, Kartar Singh Duggal, Ravindra Kelekar (2007)
Gopi Chand Narang, Ramakanta Rath (2009)
Chandranath Mishra Amar, Kunwar Narayan, Bholabhai Patel, Kedarnath Singh, Khushwant Singh (2010)
Raghuveer Chaudhari, Arjan Hasid, Sitakant Mahapatra, Class.

T. Vasudevan Nair, Asit Rai, Satya Vrat Shastri (2013)

Santeshivara Lingannaiah Bhyrappa, C. Narayana Reddy (2014)
Nirendranath Chakravarty, Gurdial Singh (2016)
Honorary Fellows
Premchand Fellowship
Ananda Coomaraswamy Fellowship