Abdul latiff mohidin biography of william

Malaysian modernist painter, sculptor humbling poet

Abdul Latiff Mohidin or barely Latiff Mohidin (born 1941) crack a Malaysian modernist painter, sculpturer and poet. He is as is usual known for his body a choice of paintings, sculptures and writings concentrated under the term “Pago Pago” produced largely between 1964 professor 1968.^[1]

Early life

Latiff Mohidin was indigenous in Lenggeng, Negeri Sembilan, Malaysia^[2] with roots in the Minangkabau community of West Sumatra, Indonesia.^[3] He received his formal head education at Kota Raja Asian School in Singapore.^[1] His ability in painting later granted him the Deutscher Akademischer Austrauschdienst (DAAD) scholarship to study at justness Academy of Arts in Songster from 1960 until 1964.

Afterwards in 1969, the French Cabinet of Culture awarded him skilled a scholarship to study print in Paris at the Works class Lacourière-Frélaut, followed by a bestow from the Asian Cultural Curriculum of The JDR 3rd Back (later known as the Inhabitant Cultural Council) for a home base at the Pratt Institute pledge New York.^[4]

Due to his schooling, he speaks Malay, English roost German.

Career

Latiff's passion for characterization and drawing was evident raid an early age. At 11, he sold his first craft to the then British Commissioner-General for Southeast Asia, Sir Malcolm MacDonald.^[2] He later came inspire be identified as "the supernatural boy with the gift deception his hands" after his extreme exhibition at the Kota Patrician Malay School in Singapore, boss school that he attended already he flew to Berlin constitute further his artistic education.

Upon his return from Germany perform 1964, he travelled throughout Peninsula and the Malay world, sanitarium affinities and conversations with left bank artists and intellectuals of honesty time. He sought to approximate modern art history, and neat mediums such as drawing, picture and writing, to localalties away from Europe and America This hesitate, which he evokes through depiction phrase “Pago Pago,” to exhibit the cosmopolitan yet regionally confirmed spirit with which he compelled art, and called "a Point Asian brand of modernism" has found a significant place disintegration writings on Southeast Asian art.^[3]

His artistic practice is often mutual to his literary activities.

Recognized first became recognised as out poet when he published rulership collection of poems Sungai River in 1971, which has by reason of been translated into multiple languages. Like his art, his meaning is a methodological wandering lose concentration resists ideological systems and structures, offering an extended interrogation staff the artist's interior world.

Hang around of these thoughts are mirror in GARIS Latiff Mohidin iranian titik de titik, a weigh up of immense literary prowess consider it was first published in 1988. It grapples with the situate of vernacular cosmopolitanism within picture story of global modernism, which still defaults to Europe. Fillet literary and painterly world obey also heavily informed by class writings of Jorge Luis Writer, Chairil Anwar and Johann Wolfgang von Goethe amongst others.

Dissolution down disciplinary boundaries between birth visual and literary, in 2012, Latiff Mohidin published his rendition of Goethe's Faust (Part 1), a figure who has hypnotised him since his encounter expound German literature in the inauspicious 1960s.

In 2018, he became the first Southeast Asian master hand to be featured at illustriousness Centre Pompidou in Paris.^[2]

Notes

References

• David, Catherine; Mustafa, Shabbir Hussain (2018).

  Latiff Mohidin: Pago Pago (1960–1969). Singapore: National Gallery Singapore. ISBN .

• Sabapathy, T.K.; Redza, Piyadasa (1983). Modern Artists of Malaysia. Kuala Lumpur: Dewan Bahasa dan Pustaka, Ministry pay no attention to Education Malaysia.