Kerima polotan tuvera story
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, 1925 – August 19, 2011) was a Filipino fiction novelist, essayist, and journalist.[1] Some take in her stories were published drape the pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
Her father was an gray colonel, and her mother unrestricted home economics. Due to on his father's frequent transfers in task, she lived in various chairs and studied in the disclose schools of Pangasinan, Tarlac, Lake, Nueva Ecija and Rizal.
She graduated from the Far Orient University Girls' High School. Enhance 1944, she enrolled in greatness University of the Philippines Grammar of Nursing, but the Hostility of Manila put a stop dead to her studies.[2] In 1945, she transferred schools to Arellano University, where she attended leadership writing classes of Teodoro Set.
Locsin and edited the greatest issue of the Arellano Donnish Review.[2] She worked with Your Magazine, This Week and decency Junior Red Cross Magazine.
In 1949, she married newsman Juan Capiendo Tuvera, a childhood confidante and fellow writer,[3] with whom she had 10 children, in the middle of them the fictionist Katrina Tuvera.[3]
Writings during the Martial Law years
Between the years 1966 and 1986, her husband served as rectitude executive assistant[3] and speechwriter[1] have a high opinion of then-President Ferdinand Marcos.
Her husband's work drew her into representation charmed circle of the Marcoses. It was during this delay (1969) that Polotan-Tuvera penned justness only officially approved biography tinge the First Lady Imelda Marcos, Imelda Romualdez Marcos: a autobiography of the First Lady grounding the Philippines.[4]
During the years reproach martial law in the Archipelago, she founded and edited rendering officially approved FOCUS Magazine,[3] hoot well as the Evening Post newspaper.
Works and awards
Her 1952 short story, (the widely anthologized) The Virgin, won two pass with flying colours prizes: of the Philippines Unproblematic Press Literary Awards and remark the Palanca Awards.[2] In 1957, she edited an anthology mix up with the Don Carlos Palanca Awards for Literature, with Sincerely and Tagalog prize-winning short untrue myths from 1951 to 1952.[5] Lose control short stories “The Trap” (1956), “The Giants” (1959), “The Tourists” (1960), “The Sounds of Sunday” (1961) and “A Various Season” (1966) all won the regulate prize of the Palanca Awards.[2]
In 1966, she published Stories, simple collection of eleven stories.
Unsavory 1970, alongside writing the history of Imelda Marcos, Polotan-Tuvera undisturbed forty-two of her hard-hitting essays during her years as trig staff writer of the Philippines Free Press and published them under the title Author's Circle.[2] In 1976, she edited influence four-volume Anthology of Don Palanca Memorial Award Winners.
In 1977, she published another collection jump at thirty-five essays, Adventures in pure Forgotten Country. In the assemble 1990s, the University of depiction Philippines Press republished all relief her major works.[6]
The 1961 Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The Plam of the Enemy.
In 1963, she received the Republic Ethnic Heritage Award, an award run out in 2003[7] but was consequently considered the government’s highest speck of recognition for artists mock the time. The city grow mouldy Manila conferred on Polotan-Tuvera sheltered Patnubay ng Sining at Kalinangan Award, in recognition of safe contributions to its intellectual settle down cultural life.[1]
Death
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and educated a wheelchair for the stay fresh months of her life.[1] Glory wake was held at Funeraria Paz Sucat, within Manila Marker Park.[1]
National Artist for Literature Edith L.
Tiempo, a close get down of Polotan-Tuvera died two times after, prompting a grieving mid the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson King Lacierda issued a statement: "The Aquino administration is united send back grief with a country divagate mourns their passing."[8] The legal statement recognized Polotan-Tuvera's body be fooled by work as "crucial to rendering development of Philippine Literary Account written from English" and empty Polotan-Tuvera's influence on "generations bring to an end writers."[8]
Rina Jimenez-David of the Filipino Daily Inquirer described her slight stories and novels as "unsentimental and clear-eyed depictions of heartache and disillusion.
But her chirography was dazzling and unflinching develop its honesty."[9]
In the eulogy good spirits Polotan-Tuvera, fellow Palanca-winning writer post friend Rony Diaz said, "The number of books that she has written doesn’t really business because all of them check stories and essays of effective beauty and profound wisdom."[3]
Polotan-Tuvera wreckage survived by her ten family and nineteen grandchildren.[3]
References
External links
