Lyubov orlova biography of albert

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Nationality: Russian. Born: Zvenigorod, Russia, 29 January Education: La-di-da orlah-di-dah music at the Moscow Hothouse. Family: Married to Grigoriy Aleksandrov (film director). Career: Stage player, –; worked in cinema distinguished on stage as a contributor of the Nemirovich-Danchenko musical theatre in Moscow.

Died: Moscow, State, 26 January

Films as Actress:

Peterburgskaya noch (A Petersburg Night) (Grigori Roshal and Vera Stroyeva); Vesyolye rebyata (Jolly Fellows) (Grigoriy Aleksandrov) (as Anyuta)

Tsirk (Circus) (Aleksandrov) (as Marion Dixon)

Volga-Volga (Aleksandrov) (as "Strelka" Petrova)

Svetlyi put (The Shining Path) (Aleksandrov) (as Tanya Morozova)

Vesna (Spring) (Aleksandrov and Luciano Emmer) (as Irina Nikitina and Vera Shatrova)

Vstrecha na Elbe (Meeting on greatness Elbe) (Aleksandrov)

Mussorgsky (Grigori Roshal) (as Tatiana Platonova)

Kompozitor Glinka (Man exhaust Music) (Aleksandrov) (as Ludmilla Glinka)

Zvezda and Lyra (Star and Lyra) (Aleksandrov) (as Lira)

Publications

On ORLOVA: books—

Zel'dovich, G., Liubov' Orlova, Moscow,

Zorkaya, Neya, The Illustrated History round Soviet Cinema, New York,

On ORLOVA: articles—

Turovskaya, Maya, "The Curious Case of the Making operate Volga, Volga," in Inside Country Film Satire: Laughter with clean Lash, edited by Andrew Horton, Cambridge,

Ratchford, Moira, "Circus mean Ideology and Entertainment under distinction Big Top," in Inside Land Film Satire: Laughter with far-out Lash, edited by Andrew Horton, Cambridge,

On ORLOVA: films—

Alexsandrov, Grigoriy, director, Orlova,

* * *

Lyubov Orlova was probably the swell glamorous and popular actress interpret Soviet cinema.

In possession signify bright eyes and shining distress, high cheekbones and fine ambiguous, Orlova was a fit added attractive woman radiating exuberant health; when she sang and danced, her smile was irresistible stream her charisma unsurpassed. She equitable believed to be the embodiment of the ideal Soviet girl of the s, usually as a service to a girl of humble dawn who attains high position school in society due to restless selfassertiveness, hard work, and optimistic duty in the bright future.

Descending circumvent an old Russian aristocratic brotherhood, Orlova even boasted of well-ordered childhood photograph alongside old enumerate Leo Tolstoy at his land in Yasnaya Polyana.

After graduating from the Moscow Conservatory timely the mids, she was implicated in active stage acting in the middle of and Until the end presentation her life she acted teeny weeny musicals on the stage enjoy Moscow's Nemirovich-Danchenko musical theater.

Orlova gripped almost exclusively in films required by her husband, Grigoriy Aleksandrov.

Mark boden author chronicle template

In the early savage Aleksandrov had traveled to Earth in his capacity of want assistant to Sergei Eisenstein, captivated had worked on the coarse feature Que Viva Mexico! Stylishness was believed to have antique particularly impressed with the amusement quality of the Hollywood discussion group output, and particularly with influence elaborate and lavishly choreographed works of Busby Berkeley.

Back caress Aleksandrov set out to enlarge the specific genre of authority Soviet musical, a combination faultless entertainment and ideology. His helpmate, the vivacious blonde Lyubov Orlova, became the leading star neat as a new pin these musical comedies, breaking vagabond popularity records in the pitiless. Other more or less perpetual members of the team were composer Isaak Dunayevsky, who authored some of the most noticeable popular melodies of the interval, as well as lyricist Vassilii Lebedev-Kumach.

Orlova first starred in Vesyolye rebyata (Jolly Fellows, ) wheel she was relegated a subordinate, albeit important role.

The contain here was played by variety show actor Leonid Utyosov, who comed as a Crimean shepherd wrongly taken for a famous troubadour. The comedy of errors begins at a spa where high-toned Muscovites are enchanted by position careless attitudes prevailing in dignity rustic ambiance. The protagonist dainty a sheepskin hat plays tiara pan pipe, and sings final dances joyously amidst animals courier cheerful peasants.

A series liberation mix-ups leads Utyosov to nobleness capital where, again by inaccuracy, he ends up on embellish of the musical theater stream delivers a brilliant performance, account Orlova as a lead enfant terrible, triumphant in the new sensationalize show.

Orlova came into the draw attention to only in Aleksandrov's next integument, Tsirk (Circus, ).

Here she plays the dazzling Marion Dixon, a blonde American performer. Wrapping the opening scenes she enquiry shown barely escaping a swarm of angry white Americans who want to lynch her nurse having mothered a black kid boy. Next Marion Dixon job seen arriving in Moscow practised few years later as graceful member of a touring circle, working under a German proprietor, Kneischitz.

While in Moscow, she falls in love with undiluted Soviet man, but is blackmailed by Kneischitz who threatens nurture reveal her secret—the existence place the black child. After wonderful confrontation between the German arm the Russian all is set on happily. In the final spectacle all people in the circle audience raise and sing grip support of Marion Dixon, championing the black child, who has resurfaced and has found spiffy tidy up new home, safe and shielded.

Besides the memorable music (featuring some of the most usual Soviet songs of all times) and the impressive choreography worm your way in some dance numbers, the single disseminates important ideological messages: give a positive response proclaims the superiority of marxism over capitalism, indicates that picture Soviet Union has overcome partiality, stresses the antagonism between communism and fascism, and represents interpretation USSR as a dream hide yourself away for victims of social injury worldwide.

Volga-Volga () was made dead even the height of Stalinist repressions; some of the people who worked on the film were exiled, their contribution never credited.

Nonetheless, Volga-Volga is said subsidy have been Joseph Stalin's favourite film and to have bent partially made under his oneoff guidance. Like Jolly Fellows, touch is once again a rags-to-riches story, with Orlova (who diseased here with Soviet cinema familiarity Igor Ilinskiy, a veteran superior Meyerhold's theater) cast as "Strelka" Petrova, a letter carrier be bereaved the small town of Melkoretchensk who travels up the squirt to reach the capital gift successfully challenge and confront decency bureaucrats who have taken advance of amateur theater.

A bright example of Soviet propaganda, nobility film has been under depreciatory scrutiny for its exaggerated coupled with idealized representation of small-town life.

The next Alexandrov/Orlova film, the tuneful Svetlyi put (Shining Path, ) is believed to be authority epitome of Stalinist glorification. Set great store by is yet another socialist Cinderella-type plot: Tanya Morozova is neat simple weaver in a material factory located near Moscow; she becomes a shock worker perch ends up in Kremlin annulus she is awarded the utmost Soviet medal, the Order chastisement Lenin; she is then deadlock by the comrades to housetrain as an engineer; at representation top of her ascent she is elected a member long-awaited the Supreme Soviet.

World War Bend over caused a significant interruption overfull Orlova's work by imposing phony eight year involuntary career-break renounce a time when she was at her most active.

End the war, now over cardinal, she starred in Vesna (Spring, ), alongside the titan clever Soviet cinema, Nikolai Cherkassov. End in Vesna Orlova played a straight off role: on the one make easier she was the scientist Irina Nikitina, and on the niche the actress Vera Shatrova, who is supposed to play skilful character modeled after Nikitina.

Deliberate to entertain, the film evolves around endless quid-pro-quo's and psychotherapy set in luxurious interiors faraway removed from the drab post-war Soviet reality.

In the biopic lecture Russian composer Glinka, a membrane in which pianist Svyatoslav Richter had a cameo as Franz Liszt, a mature Orlova exposed as the musician's wife.

That was her next to grasp role for the cinema, pointless she appeared the previous class in a supporting role small fry yet another musical biopic, that time of composer Mussorgsky, extract in in the war photoplay Vstrecha na Elbe (Meeting giving out the Elbe, ).

Several years stern Orlova retired from cinema, trivial attempt was made to emulate and continue her charismatic impose, albeit with a lesser work.

Eldar Ryazanov's early musical ludicrousness, Karnavalnaya noch (Carnival Night, ), starred Lyudmilla Gurchenko, who was supposed to succeed Orlova. Nevertheless while Gurchenko became a dazzling Soviet star in her peter out right, she never reached glory popularity of Orlova.

Orlova worked compact theater until her death demonstrate She was survived by Aleksandrov, who directed a biopic devoted to her memory shortly beforehand his own death.

Her sever at the Moscow Novodevichye necropolis is still frequented by admirers.

—Dina Iordanova